100 Ways to Make Good Photos Great: Tips & Techniques for Improving Your Digital Photography

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100 Ways to Take Better Nature & Wildlife Photographs [Book Review]

This is really handy for sports photography because you can focus on points where you anticipate the action will happen — such as around the goal — and wait for the moment to occur. Your AF Tracking mode takes this even a step further. In Tracking mode you simply touch the AF point on your LCD if your camera has a touchscreen or half-press the shutter to lock focus on your subject, and then your AF point will move with that subject as it moves across the frame.

This is great for following the action on a crowded pitch. The goal of any sports photographer is to freeze the action in dramatic moments, and the only way you'll do this is to shoot at fast shutter speeds. A good way of achieving these shutter speeds is to refer to your mode dial and change the exposure mode to Shutter Priority Tv. What this does is allow you to dial in your desired shutter speed, and the camera will then set the aperture and ISO accordingly to guarantee that speed. Professional sports photographer Richard Walch shares his expert tips for better winter photography, from choosing a camera to the best settings.

The Canon Ambassador shares how to ensure you convey the excitement and spectacle of urban action sports. View details. A powerful, versatile and responsive DSLR camera to explore your creativity. A high quality zoom with innovative lens display and Nano USM, great for wildlife and sports photography. Get creative with this DSLR-like connected camera complete with a large sensor. Get Inspired.

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2. Adjust Exposure Compensation

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Take the photo again, check the exposure again, and repeat if any more exposure adjustment is necessary. Generally the ideally exposed photo is one that is as bright as possible without any detail being blown out white. You can then adjust the photo on the computer to darken it if needed. It is an extra step, but maximises the image quality. Blurry photos can be a problem, especially if shooting handheld when it is relatively dark.

The key to reducing blur caused by camera shake is either to make sure you are using a fast shutter speed or to make sure the camera has a solid support like a tripod. To ensure a fast shutter speed, put your camera in the shutter priority shooting mode. As a general rule, the shutter speed should be 1 over the 35mm equivalent focal length, e. The actual shutter speed you need will depend on your handholding ability.

1. When to use Exposure Compensation

If you are photographing a person or nearby object you can also use flash to provide enough light for a fast shutter speed. The alternative option to increasing the shutter speed is to use a tripod or some other form of support e. About the Author: This article was written by Dave Kennard from DiscoverDigitalPhotography which offers advice, tips, and tutorials on digital photography. They cover all aspects of photography from Sports photography to Landscape photography to Portrait photography, and more. Join over , photographers of all experience levels who receive our free photography tips and articles to stay current:.

Thinking of the four focal points and rule of thirds makes far more sense. I am starting to get really into photography and so I really appreciate all five of these tips, especially the one about the Golden triangle. I have never heard of splitting a photo into triangles before. However, how can I know how to properly use this method when taking a picture? Nice information I would like to share something here. Focus your eyes.

Very useful information and i think it will help me to capture a perfect picture without any mistakes.

Thanks for sharing this. This is not just photography tips. As a professional photographer, I thought, it is the way to improve photography skills. Your email address will not be published. We are always looking for more interesting and insightful photography tips and techniques to share with our readers. We would love to publish an article by you if you are interested in writing for us. See what we are looking for and get in touch. Like This Article? This is a simple illustration of how the primary trio of camera components work together to get the exposure you want.

These 3 things being: aperture, shutter speed, and ISO. Learning this will ultimately allow you to unlock shooting in the manual camera mode, and allow you to decide what your image will look like, instead of relying on your camera to make this decision for you sometimes poorly in an auto-shooting mode.

As professional wedding photographers, we have had to learn how to shoot in natural light in a variety of settings. When indoors, such as while doing getting ready photos in a hotel room prior to a wedding ceremony, part of our evaluation of a space for photography is looking for a suitable location for photos. While we generally prefer the raw authentic emotion elicited from candid shots wherever they may happen, sometimes the limited availability of natural light, while indoors, requires at least some staging of our clients.

As you can see, there are times where natural light can be really quite abundant. On the other hand, there are times where the professional wedding photographer may need to employ some tactics to stage their clients appropriately to take advantage of any available natural light. For one reason or another, we have found there to be somewhat of a general fear among photographers with regards to using flash. We have felt this ourselves, especially early on into shooting weddings in particular. When used effectively, flash can really compliment your images, and in some environments — make them usable as just relying on bumping ISO on your camera may not always work.

The most difficult part of shooting with flash is getting the settings right. We started off using some inexpensive flash options such as the Yongnuo YN speedlite. This worked well for what it is, but would often be challenging as it really required a deep dive into the instruction manual to get it to work even in a simple way. Earlier this year, we upgraded to a Profoto flash system, using the Profoto A1 for on camera flash and the Profoto B1X for off camera flash — while expensive, this system is far easier to use and outputs better quality flash light.

It was well worth the investment, and has helped to simplify our flash photography. Regardless of your choice of flash, you should avoid using any built-in flash options your camera may have. These are often found on consumer level cameras, and while it can be suitable if you just want to take a quick picture, they often leave an unflattering look. This works with even inexpensive flash options.


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We have had the opportunity to work for our clients by shooting in a variety of different environments ranging from the great outdoors, inside homes, in large cathedrals, tight bar spaces, and so on. When possible, we like to scope out the places we will be shooting beforehand — sometimes in person, but other times just by looking through other pictures taken of the location s.

This can be an effective way to have a better understanding of what will be required once we arrive, and help us to better capture the images we need to for our clients. The same goes with landscape shots as well! One of the most inspiring things in the world of photography is going to new places. Some of our favorite photos help commemorate times we really stepped out of our own comfort zones and traveled across the world. Recent trips to Iceland , Oregon , and Death Valley have all lent themselves to some extraordinary life experiences and beautiful photos as well.

You can explore new places even within your own city. We keep finding new parks, hiking trails, and little alleys to explore and take photos in — all giving a little jolt of creative energy. Do you have a particular picture in mind you just really want to take? If so, what is holding you back? Most images that we really want to take require effort to get them done. Our experience with astrophotography was a lot like this. Virtually impossible to do in our area because of the light pollution, we found ourselves in Death Valley with a significant intention of testing this out for ourselves in one of the most perfect places on Earth for stargazing.

Every subject you can photograph will be different.